A very soft attack results in portamento (good for eastern sounds). A soft attack means a soft execution of the note, like a crescendo in a sense. Oh yeah, and the velocity in which the note is attacked effects how the note is approached. It’s not simply volume, it’s actually intensity. CC1, with long note patches (legato, sustain, etc.) is for dynamic crossfading between layers… in other words, basic dynamics. Fortunately, you can reprogram it to suit the setup of your midi controller, if your keyboard lacks a modwheel.
LASS ALEATORIC AUTO ARRANGER MULIT MOD
In LASS, you’ll primarily be using CC1 (or mod wheel). The quality is great, but it lacks that feature. If you’re thinking about getting the FC packages separate, just have that in mind. They’re OK in my opinion, but what good is a solo instrument without controllable vibrato? The lack of that feature is the reason I rarely use the FC patches. This gives you a heck of a lot of variety in tone, thus realism.Īlso, there’s the FC (First Chair) patches for solo instruments. LASS allows you to further break those down into a Violin 1A, 1B, 1C and the same for each other sections. As you probably know, the string section is fundamentally broken into parts: Violin 1, Violin 2, Viola, Cello, and Double Bass. Where this library really excels is in the divisi. You can of course stack layers to get into the more kinky effects. This is more of what I call a ”purest” library. Don’t expect marcattos or pre-programmed runs. This VST string library for Kontakt may require you to tap into little junior’s college funds, but the quality, stability and ease of use is well worth it.Īs far as articulations go, there’s just about every basic one you’ll need: Staccato, Legato, and a couple other “autos”. Need to breathe some life into your compositions? AudioBro’s LA Scoring Strings is quite the investment.
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